Kenichi Nishizawa
西澤健一

国立音楽大学を一年半で中退し、以後独学で研鑽を積む。室内楽から交響曲、自身の台本によるオペラに至るまで幅広いジャンルで100曲以上の作品を発表。2001年にブリュッセルで開催された個展以降、楽壇からは超然としながらも、国内外の著名な演奏家たちが惜しみなく称賛する気鋭。「瞑想の形式のなかで文学を演じている（ダス・オルケスター誌）」「簡素な透明性に満ち、エネルギッシュで崇高な内容を持つ西澤の音楽は、まず第一に人間であることに感動する側に立って語り掛ける音楽を味わうという喜びを、われわれに取り戻してくれる（メキシコ・シナロワ紙）」繊細な音色が持ち味のピアニストとしても活動するほか、舞台・映像作品に揮毫を寄せたり、文筆でも賞歴を得るなど、多様な才能を誇る。より詳しいプロフィールを見る↗

• Twitter
• Facebook
• Soundcloud
• YouTube
• Patreon

After a year and a half he dropped out of Kunitachi College of Music. Ever since, he has been self-taught and has produced more than 100 works in a wide range of genres, from chamber music to symphonic works and operas using his own scripts. Since his solo exhibition in Brussels in 2001, he has been a figure in the world of music, but has been praised by many renowned performers both in Japan and abroad. “He performs literature in a meditative form” (Das Orkestar).  “Nishizawa’s music, with its simple clarity, energetic and sublime content, brings us back to the joy of savoring music that speaks to us from the moving side of being human first and foremost” (Mexican newspaper). In addition to being a pianist with a delicate sound, Nishizawa’s diverse talents include calligraphy for stage and film productions and receiving awards for one of his essays. See more details↗